![]() We catch our breath during this moment of quiet pain and determination, and are given just enough time to exhale as Scott leaves the scene. However for something that is only present for a short amount of time, "Anthems" manages to completely shift the tone and the energy of the film and make us focus on one singular, desperate emotion. He then leaves without dealing with anything and we are thrust into the Gideon (Jason Schwartzman) introduction scene and the show moves on. This song only plays for about 3 seconds in the movie after The Sex Bob-Omb/Katayanagi Twins Amp Vs Amp!!! Battle when Knives (Ellen Wong) appears to Scott (Michael Cera) in an attempt to reconcile her lingering feelings and still support him, despite him being an absolute garbage can human being. ![]() ![]() You have bop after bop really leading to "Black Sheep," one of the (if not the ) best songs written and recorded for a motion picture and of course “Anthems For A Seventeen Year-Old Girl." One of the most integral pieces into why this movie, the style, and the characters are still worth talking about ten years later is the music that ties everything together. It's not a perfect story, and Scott is a dick, but Scott Pilgrim as a thing is very important to me and I'm very much not alone in this. (We also stood in line for like an hour so I could play the demo for DmC: Devil May Cry (I'm in the striped jacket.
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